The traditional wood of choice for ukuleles is koa (acacia koa). Endemic to the Hawaiian Islands, koa is known for it's beautiful deep golden color, and it's exquisite figure, with some boards showing very curly grain. Koa is a wonderful tonewood, giving a sound that is warm and rich.

I also use brazilian rosewood (dalbergia nigra). Very dense and aromatic, it is a deep reddish brown in color with black streaks. It's sound is very resonant and bright. The brazilian rosewood I use is a reclaimed product, taken legally from old growth stumps in Brazil. This is the only legitimate way of obtaining this highly sought after wood.

Many other wood species work well for ukuleles, such as mahogany, mango and claro walnut. These woods, and many others, are available. Please inquire.

For soundboards, I usually use either koa or sitka spruce. Other options are available, including western red cedar, mahogany, old growth redwood, and monterey cypress.

For finger boards, ebony and rosewood are the two most common choices. Curly koa, cocobolo, coconut palm wood, and bamboo also work well. I will usually match the fingerboard wood with the bridge.

Necks are koa or mahogany. I use premium enclosed gear tuners, either Schaller minis or Gotoh. Friction pegs are available on request.

All instruments feature fingerboards inlayed with abalone, white or gold mother of pearl. Please inquire about custom inlay options.

All instruments are bound with either celluloid, which comes in black, white, ivory or tortoise, or with wood, either ebony, rosewood, or koa. Fingerboard binding is optional.